cifo - a cultural spot

upcoming exhibitions

Carlos Motta, Leningrad, Petrograd, Petersburg # 2, 2006, composite of video stills Carlos Motta, Leningrad, Petrograd, Petersburg # 2, 2006, composite of video stills Joaquin Torres-Garcia
Grafismo inciso con dos figuras, 1930 Mark Dion
Rescue Archaeology (lockers), 2005 Mixed media

October 5 – November 12, 2006

10 Defining Experiments: cifo 2006 Grant Program Recipients

A group exhibition of the 2006 cifo Grant Program recipients, this exhibition represents the culmination of the 2006 Grants Program.

2006 cifo Grant Program Recipients:

1.  Emilia Azcárate
2.  Alessandro Balteo
3.  Mariana Castillo Deball
4.  Regina José Galindo
5.  Josefina Guilisasti
6.  Rubén Gutiérrez
7.  Jacqueline Lacasa
8.  Rubens Mano
9.  Carlos Motta
10. Carla Zaccagnini

 

Dec 6, 2006 - Feb 18, 2007

Two Selections from the Ella Fontanals Cisneros Collection

  • The Sites of Latin American Abstraction                             Curated by: Juan Ledezma

The exhibition intends to explore a rarely addressed aspect of Latin American abstract art: to what extent the simultaneous development of an abstract movement in different artistic centers (Argentina and Uruguay, Brazil, Venezuela) responded to the cultural and socio-political need of reconsidering, on the basis of modernist art, the prospect of a previously much-discussed Latin American identity.  Given such a broad scope, the exhibition proposes a series of intersections between developments mobilized by their own local histories.  Those intersections coincide on a single node of inquiry: the construction of a Latin American subject in the post-war period. 

  • Forms of Classification: Alternative Knowledge and Contemporary Art       Curated by Cecilia Fajardo-Hill

Since the 1960s contemporary artists have egaged critically with the ways in which knowledge is constructed.  Authorized histories, stereotypes, memory, the human condition, gender issues, established forms of representation, technology, the everyday, language, the cultural institution--these are some of the some of the important issues that contemporary artists have been engaging critically and are still engaging today. 

The artists in Forms of Classification deal with many of these issues in diverse ways, defying scientific logic and methodology and offering unorthodox, unpredictable ways of thinking about the world and of the idea of "knowledge." The artworks selected offer posibilities for suspending, expanding, and challenging our perception of given knowledge, as they propose alternative ways of thinking about ourselves, the world, culture and history. 
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