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Miami

Art

Central

Founded
by Ella Fontanals Cisneros

In December 2003, Miami Art Central (MAC) quickly emerged as a pioneering not-for-profit institution dedicated to the presentation of cutting-edge exhibitions and multidisciplinary programs in contemporary art and culture. Supported by the Cisneros Fontanals Arts Foundation, with additional funding from local government agencies, private foundations, corporate sponsors, and individual donors, MAC served as a vital experimental platform for the visual and interdisciplinary arts in South Florida.

Conceived as a space for innovation, critical inquiry, and cultural dialogue, MAC advanced a bold curatorial agenda that integrated the visual arts with music, film, literature, and performance. With a mission to engage South Florida’s diverse communities and promote cross-cultural exchange, the institution presented both monographic and group exhibitions featuring leading and emerging artists from around the world.

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MAC established collaborative partnerships with leading national and international institutions,

including the Museu d’Art Contemporani de Barcelona; the Secession, Vienna; Witte de With Center for Contemporary Art, Rotterdam; the New Museum of Contemporary Art, New York; the Walker Art Center, Minneapolis; the Wattis Institute for Contemporary Art, San Francisco; the Centre Pompidou, Paris; Castello di Rivoli Museo d’Arte Contemporanea, Turin; Pinacoteca do Estado de São Paulo; and the Museo de Arte Latinoamericano de Buenos Aires, among others. These strategic alliances enabled MAC to co-produce and present ambitious, globally relevant exhibitions, helping to position Miami as a dynamic and influential center for contemporary art.

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Rina Carvajal served as Executive Director and Chief Curator of Miami Art Central from 2004 to 2007, providing visionary leadership and artistic direction. She was instrumental in shaping the institution’s curatorial identity and oversaw an acclaimed slate of exhibitions, public programs, and educational initiatives. Following the strategic alliance between MAC and the Miami Art Museum (now Pérez Art Museum Miami, PAMM), Carvajal continued her work as Adjunct Curator, ensuring continuity and honoring MAC’s curatorial legacy within the expanded institutional framework of MAM.

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Rina Carvajal served as Executive Director and Chief Curator of Miami Art Central from 2004 to 2007, providing visionary leadership and artistic direction. She was instrumental in shaping the institution’s curatorial identity and oversaw an acclaimed slate of exhibitions, public programs, and educational initiatives. Following the strategic alliance between MAC and the Miami Art Museum (MAM), Carvajal continued her work as Adjunct Curator, ensuring continuity and honoring MAC’s curatorial legacy within the expanded institutional framework of MAM.

MAC Advisory Board

From 2004 until 2007, Miami Art Central’s Advisory Board was comprised of a distinguished group of international art professionals. Their CVs at the time they served on the MAC board were as follows

THE BUILDING

Miami Art Central (MAC) was housed in a repurposed 1940s industrial building originally constructed for the Southern Bell Company. The Italian architect Alessandro Fiorentino led its transformation, converting the space into a striking 20,000-square-foot cultural facility while preserving key elements of its original architectural character. The two-story venue hosted four to five major exhibitions annually, along with a dynamic roster of public programs and special events.

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MAC STAFF

Rina Carvajal, Executive Director and Chief Curator

Patricia García Vélez, Exhibitions Manager

Konstantia Kontaxis, Adjunct Film Curator

Brooke Minto, Curator of Programs

Andrea Navarro, Communications Manager

Susette Prada, Executive Assistant to the Director 

Natalia Zuluaga, Assistant Curator

A Strategic Alliance in Contemporary Art

On December 15, 2006, Ella Fontanals-Cisneros and Aaron Podhurst, Chairs of Miami Art Central and the Miami Art Museum respectively, announced a strategic alliance under the banner MAC@MAM. This collaborative initiative brought together MAC’s internationally oriented programming and original exhibitions with MAM’s institutional infrastructure and educational mission, marking a bold step toward greater visibility and cultural impact.

The partnership anticipated MAM’s transformation into a major new waterfront facility designed by Herzog & de Meuron, which would open in 2013 as Pérez Art Museum Miami. Fontanals-Cisneros, a long-time MAM trustee, described the merger as a natural evolution of shared institutional goals. “By uniting our resources,” she noted, “we will amplify our impact—supporting contemporary artists, fostering new scholarship, and offering Miami’s growing public access to innovative and meaningful cultural experiences.”

From October 2007 through January 2009, MAC produced a series of high-profile exhibitions and programs at MAM, deepening engagement with both local and international audiences and positioning Miami as a key node in the global contemporary art network.

Bookstore

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Books

10 Floridians

This publication features the works of 10 prominent Florida artists in conversation with nine different curators.

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Books

Beyond Delirious/Indeterminate States

Beyond Delirious, Phillips selected photographs that address various architectural themes, by artists representing a wide range of generations, conceptual approaches, and —notably— cultural heritages

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Books

Forms of Classification: Alternative Knowledge and Contemporary Art

Embracing a wide array of mediums, ranging from video, drawing, installation, photography and mixed media, this catalogue includes an exciting group of international emerging and established artists.

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Books

Fortunate Objects

It proposes a playful, imaginative, curious and unexpected approach to objects used in daily life and presents work by international, emerging, and established artists from different generations in various media, ranging from the monumental to the intimate.

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Books

Frames and Documents: Conceptualist Practices

Conceptualist Practices' articulates a number of geographical and chronological crossroads that underline the role of the artist as a historian who deploys institutional critique (frames) and who questions the means of recording memory (documents).

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Books

How do we want to be governed? (Figure and Ground)

Was an ongoing meditation on the idea of government as it relates to individuality and power in the modern world.

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Books

Inside Out: Photography After Form

This publication brings together contrasting images and bodies of work that examine space and form from within and without, overturning preconceptions about the potential of the photographic medium.

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Books

Permission To Be Global / Prácticas Globales

Featuring sculpture, painting, photography, video, installation and performance art from 1960 to the present

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Books

Pulses of Abstraction in Latin America

Geometric abstraction found its most dynamic, sensual and enduring expression in Latin America. 

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Books

Tacita Dean: Film Works

A leading artist of her generation, Tacita Dean (b. 1965) has worked in a wide range of media but is best known for her works in film and sound.

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Books

The Prisoner's Dilemma

This catalogue was produced on the occasion of the exhibition “The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection.” 

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Books

The Sites of Latin American Abstraction

"The Sites of Latin America” intends to explore a rarely addressed aspect of Latin American abstract art

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Books

Unsaid / Spoken

This catalogue was published on the occasion of “Unsaid/Spoken,” 

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Books

Impulse, Reason, Sense, Conflict

This exhibition includes 105 pieced by 88 artists from different generations and latitudes, who share their interpretations and philosophies of abstraction.

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Books

TRAMAS: Gustavo Pérez Monzón

This catalog accompanies the first solo exhibition in the United States of Cuban artist, Gustavo Pérez Monzón

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Books

Toda percepción es una interpretación: YOU ARE PART OF IT

The book is illustrated with more than 50 photographs in color presented with texts and statements from the artists in the exhibition.

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Books

Adiós Utopia: Art in Cuba Since 1950

Through research and critique, the publication establishes a meaningful dialogue that demystifies the preconceived narratives that have characterized Cuban art during the Revolution. 

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Books

No Black / No White (no and): On Latin American Art in the 21st Century

A selection of over 200 images of artwork created for CIFO's Grants & Commissions Program throughout the last 15 years allows the reader to join the authors in interrogating the systems at play in our complex and at times perplexing contemporary environment.

Exhibitions

January 20 – April 15, 2007

Tacita Dean: Film Works 

MAC

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Jan 11 – Apr 8, 2007

Peter Friedl: Work 1964–2006

MAC

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Sep 20 – Dec 10, 2006

Video: An Art, A History, 1965–2005

MAC

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June 30 – Aug 27, 2006

Snap Judgments: New Positions in Contemporary African Photography

MAC

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Board of Trustees

Mrs. Ella Fontanals Cisneros - President                             

Mariela Cisneros – Mestre · Marissa Cisneros – Rizzon · Cota Cohen · Diane de Olazarra · Franco D’Agostino · Maria Cristina Lopez · Javier Mora · Gonzalo Parodi · Fernando Valverde · Patricia Wallace

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